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I. LANGUAGE OF POETRY

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  1. A BRIEF OUTLINE OF THE DEVELOPMENT OF THE ENGLISH LITERARY (STANDARD) LANGUAGE
  2. A BRIEF OUTLINE OF THE DEVELOPMENT OF THE ENGLISH LITERARY LANGUAGE
  3. A) the language style of poetry; b) the language style of emotive prose; c) the language style of drama.
  4. GENERAL NOTES ON FUNCTIONAL STYLES OF LANGUAGE
  5. In accordance with the already-mentioned division of language into literary and colloquial, we may represent the whole of the word-stock
  6. LANGUAGE OF POETRY
  7. LANGUAGE OF THE DRAMA
  8. Language Work
  9. Part VI. Functional Styles of the English Language

The first substyle we shall consider is verse. Its first differentiating property is its orderly form, which is based mainly on the rhythmic and phonetic arrangement of the utterances. The rhythmic aspect calls forth syntactical and semantic peculiarities which also fall into a more or less strict orderly arrangement. Both the syntactical and semantic aspects of the poetic substyle may be defined as compact, for they are held in check by rhythmic patterns. Both syntax and semantics comply with the restrictions imposed by the rhythmic pattern, and the result is brevity of expression, epigram-like utterances, and fresh, unexpected imagery. Syntactically this brevity is shown in elliptical and fragmentary sentences, in detached constructions, in inversion, asyndeton and other syntactical peculiarities.

Rhythm and rhyme are immediately distinguishable properties of the poetic substyle provided they are wrought into compositional patterns. They can be called the external differentiating features of the substyle, typical only of this one variety of the belles-lettres style. The various compositional forms of rhyme and rhythm are generally studied under the terms versification or prosody.

Let us examine the external properties or features of the poetic substyle in detail.

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