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Atlantic Drama In Super VC 10

Прочитайте:
  1. A) the language style of poetry; b) the language style of emotive prose; c) the language style of drama.
  2. Ask your scientific supervisor to explain what can happen to these engineering materials.
  3. Below you will find different opinions of postgraduate students on supervision.
  4. Famous supermodel
  5. LANGUAGE OF THE DRAMA
  6. RESEARCH SUPERVISION

(The Times)

Such group headlines are almost a summary of the information contained in the news item or article.

The functions and the peculiar nature of English headlines predetermine the choice of the language means used. The vocabulary groups considered in the analysis of brief news items are commonly found in headlines. But headlines also abound in emotionally coloured words and phrases, as the italicised words in the following:

___________

 

1 Bastion, George C. Editing the Day's News. N. Y., 1956, p. 62.


End this Bloodbath (Morning Star)

Milk Madness (Morning Star)

Tax agent a cheat (Daily World)

No Wonder Housewives are Pleading: 'HELP' (Daily Mirror)

Roman Catholic Priest sacked (Morning Star)

Furthermore, to attract the reader's attention, headline writers often resort to a deliberate breaking-up of set expressions, in particular fused set expressions, and deformation of special terms, a stylistic device capable of producing a strong emotional effect, e.g.

Cakes and Bitter Ale (The Sunday Times)

Conspirator-in-chief Still at Large (The Guardian)

Compare respectively the allusive set expression cakes and ale, and the term commander-in-chief.

Other stylistic devices are not infrequent in headlines, as for example, the pun (e.g. 'And what about Watt'The Observer), alliteration (e.g. Miller in Maniac Mood— The Observer), etc.

Syntactically headlines are very short sentences or phrases of a variety of patterns:

a) Full declarative sentences, e.g. 'They Threw Bombs on Gipsy Sites' (Morning Star), 'Allies Now Look to London' (The Times)

b) Interrogative sentences, e. g. 'Do you love war?' (Daily World), Will Celtic confound pundits?' (Morning Star)

c) Nominative sentences, e.g. 'Gloomy Sunday' (The Guardian), 'Atlantic Sea Traffic' (The Times), 'Union peace plan for Girling stewards' (Morning Star)

d) Elliptical sentences:

a. with an auxiliary verb omitted, e.g. 'Initial report not expected until June!' (The Guardian), 'Yachtsman spotted' (Morning Star);

b. with the subject omitted, e.g. 'Will win' (Morning Star), ‘Will give Mrs. Onassis $ 250,000 a year' (The New York Times);

c. with the subject and part of the predicate omitted, e.g. 'Off to the sun’ (Morning Star), 'Still in danger' (The Guardian)

e) Sentences with articles omitted, e. g. 'Step to Overall Settlement Cited in Text of Agreement' (International Herald Tribune), 'Blaze kills 15 at Party' (Morning Star)

Articles are very frequently omitted in all types of headlines.

f) Phrases with verbals —infinitive, participial and gerundial, e.g. 'To get US aid' (Morning Star), 'To visit Faisal' (Morning Star), 'Keeping Prices Down' (The Times), 'Preparing reply on cold war' (Morning Star), 'Speaking parts' (The Sunday Times)

g) Questions in the form of statements, e.g. 'The worse the better?' (Daily World), 'Growl now, smile later?' (The Observer).

h) Complex sentences, e. g. 'Senate Panel Hears Board of Military Experts Who Favoured Losing Bidder' (The New York Times), 'Army Says It Gave LSD to Unknown GIs' (International Herald Tribune)

i) Headlines including direct speech:

a. introduced by a full sentence, e.g., 'Prince Richard says: "I was not in trouble"' (The Guardian), 'What Oils the Wheels of Industry?


 

Asks James Lowery-Olearch of the Shell-Мех and B. P. Group' (The Times);

b. introduced elliptically, e.g. 'The Queen: "My deep distress"' (The Guardian), 'Observe Mid-East Ceasefire—U Thant' (MorningStar)

The above-listed patterns are the most typical, although they do not cover all the variety in headline structure.

The headline in British and American newspapers is an important vehicle both of information and appraisal; editors give it special attention, admitting that few read beyond the headline, or at best the lead. To lure the reader into going through the whole of the item or at least a greater part of it, takes a lot of skill and ingenuity on the part of the headline writer.

 


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